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红尘影院

刀剑神域 爱丽丝篇 异界战争 最终季
日本日语2020
  以《最终负荷实验》为名,将Underworld全土卷入的《人界》军与暗之军势的战争。  战局逐渐转变为企图夺取《光之巫女》爱丽丝的《黑暗领域》军加百列一派,  与致力于守护Underworld的《人界》军亚丝娜等人之间的战争。  在桐人仍然沉睡于精神世界的深处之时,《暗黑神贝库达》即加百列  从现实世界中让数万美国玩家登录,企图一举歼灭《人界》军。  相对地,亚丝娜等人利用以Underworld创世神冠名的3个超级账号展开对抗。  获得了《创世神史提西亚》超级账号的亚丝娜,  和《人界》军一同与美国玩家展开死战,  而获得了《太阳神索鲁斯》超级账号的诗乃,则追赶着带走了爱丽丝的加百列。  随后,获得了《地神提拉利亚》超级账号的莉法,也抵达了Underworld。  不仅如此。呼应了莉兹贝特充满气势的演说的《ALO》玩家们,  将千锤百炼的角色进行转移,加入《人界》军一方参战!  这场大战不只关系到Underworld的存续。  还是赌上了作为究极AI的自律学习型人工智能,甚至人类未来的战斗。  而大战的终点,如今正握在沉睡中的一名少年——《黑色剑士》的手中。  《Alicization》篇,在此完结!

红尘影院

冰刀
其它其它1972
  This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

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