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红尘影院

丹麦小村教堂
其它其它1947
  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

红尘影院

错爱1987
香港粤语1987
  一个动荡岁月中的爱情故事,阵容鼎盛,由李鼎伦监制,以三兄弟的手足情为经,以一段波折重重、可歌可泣的爱情为纬,编织成一个荡气回肠的动人故事!  故事发生于20年代的上海,龚启光学成归国,在船上勇救富家女严若秋及其姑妈严雪梅,若秋对他一见倾心。启光不堪在继父银行工作的刻板,为实现心中抱负,在大哥和母亲的资助下,开设了医馆。  启光医馆开业,需要人手之际,前来见工的竟是不久前与友人游玩时邂逅并令他魂牵梦萦的杜子菁。子菁对启光虽有好感,但无奈与田力行有婚约在先,心中痛苦不堪。田力行知启光追求子菁,又知他是银行家的儿子,遂向启光勒索,但未成,于是逼子菁与他一同离开上海,启光闻讯,赶到码头,双方发生纠缠,力行于混乱中堕海身亡。子菁与启光因尔惹上人命官司。  启光的继父川用钱救出启光,启光恳请他再救子菁,川不允。启光求助若秋,秋虽暗恋启光,但见他对子菁情深似海,只好将感情深藏心中,求父亲山救出了子菁。两人终于苦尽甘来。  启光向父亲提出要与子菁结婚,川坚决反对,启光声明,若不同意,他将离家出走,光母也从中周旋,川答应与子菁见面,终发现她的优点,答允了他们的婚事。  光大喜之日,严家上门收债,龚家顿时一片愁云惨雾,银号也被抵押,川更因觉连累光受辱,而欲自杀,幸被救下。启光大哥痛恨严家所为,拿枪杀山,令山弟林变成跛子,林为报复,追杀严家,在混乱中,全家失散,启光、子菁落入海中,后光和弟弟华被警察马超搜获。  超受林指使,用尽手段折磨两兄弟,后两人得机越狱,并在饥寒交迫中遇到秋,因启光以为子菁已死,对严家和若秋仇恨不已。  山找到两兄弟藏身之所,欲杀死二人,幸秋挺身相救。秋言明,唯一可救他们的办法,就是启光与她结婚,光不肯,但华苦苦哀求,光勉强答应,但声明并不爱秋。  崇明救了子菁,并说启光已死,但子菁死都不信,并拒绝了明的爱意。而这边,秋终于打动了光,两人过起了恩爱的生活,秋还有了身孕。但此时,光偶遇子菁,一个有情一个有义,启光难于决择,痛苦不堪。  山得知子菁未死,要她离开光,并威胁要对她和启光不利,子菁为了光,又不想见他痛苦,主动提出分手,并说要与明结婚。启光虽不舍,但也无其他办法。  华亏空公款,被林和山发现,华为达目的,杀了林和山,连秋也被杀,启光得知真相,大怒,几乎杀死华,但感血溶于水,终未下手,而离去,林之子博赶到,杀死华,为父报仇。  启光家破人亡,秋已死,菁又要与明结婚,心如止水,决定离开上海,临行前,他祝福菁和明幸福,明看出两人仍是深深相爱,为成全二人,悄然而别。

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