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火影忍者剧场版:终章
日本日语2014
  第四次忍界大战结束的两年后,此时此刻的漩涡鸣人(竹内顺子 配音)早已成为盖世英雄一般的人物,无论他走到哪里都受到女孩子和小朋友的喜爱与追捧,他似乎也有其享受这样喧嚣欢闹的氛围。与之相对,壁花小姐日向雏田(水树奈奈 配音)则始终站在角落里,默默注视着这个她喜欢了多年的男孩子。雏田亲手为鸣人织了围巾,怎奈无法鼓足勇气交给对方,喜欢的话语更难以说出口。某个夜晚,雏田的妹妹花火(浅井清己 配音)遭到不明身份之人劫持,带火的陨石则落在附近的山坡之上。为了救回花火,阻止地球毁灭,鸣人、雏田、小樱(中村千绘 配音)、鹿丸(森久保祥太郎 配音)和佐井奉命前去调查舍人(福山润 配音)的真身。在此过程中,鸣人不小心知晓了雏田的心意……  本片情节介乎《火影忍者》漫画699话和700话之间

红尘影院

痴心女子负心郎
美国英语1948
  Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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