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造物的奇迹
其它其它1925
  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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霹雳经武纪之枭皇论战
台湾其它2010
  有一个人,他被称为惊叹,纵横四界无人敌。   来到苦境的他,抛弃过往。   年少轻狂的代价,让他失了所有,从此不再用剑、不再杀人。   有一个人,"他"被称为救赎,开创了属於自己家园的传奇。   手握王权的传奇,隐瞒身分,   只为了守护这国家而战。   有一个人,他被称为异数,   桀骜不驯的个性,让他被自己的父亲设计封印不醒。   而沉眠许久的他,在这颓危的情势中被解放...。   三个人,三种身分,命运,却意外的在这战火延天的时候纠结。   苦境联军一战火宅佛狱,   佛狱却意外遭到戢武王背叛,王公侯身受重伤,   咒世主为求佛狱延续,拖命来到了这个禁忌之名沉眠的场所...。   地者身亡的死国之中,五尊之皇与天者重修旧好,   化身冥王的天者,誓要让这世间付出最惨痛的代价。   入魔的一页书,虽赖霓羽族人歌声压制魔性,但迟迟无法恢复。   远处雷峰之上再出隐世佛宗,双僧缓步走向一页书...。   银盌盛雪,隐世高人擎海潮染尘埃,独立雪中,回忆著过往身影。   烨世兵权保留许久的集境实力,在这战火延天的时刻,占据一方。   发帖邀请群雄会谈的他,又有何盘算?   面对纷乱的世局,各方枭雄心机算计,   在这末世之中,再出圣音传世,神秘的组织此刻介入武林,又有何目的?   中原栋梁素还真与剑子仙迹,将如何保全苦境大地?   「没想到你竟然被放出了。」   一身邪气,冷眼王土。轻描淡写的态度,一招立威。   气劲逼面,眼前之人不危不惧。走进婆罗堑的人,所为何来?   「杀你,我不会迟疑!」   身卧血泊中的人,四肢尽断,尘埃满身,失去了往日的潇洒与尊贵。   剑指挥洒,眼前的人是仇敌,也是最深沉的对手。   欲知详情如何,敬请锁定霹雳国际多媒体二零一零年新一季年度大戏,   霹雳经武纪之--枭皇论战!   枭雄齐聚首,强者论皇权。   寰宇生战火,武道终不还!

红尘影院

陆小凤之凤舞九天粤语
香港粤语1986
  花满楼为陆小凤好友,出身于医学世家,自幼因病盲目,但有着高超的武功,和异常敏锐的听觉与嗅觉。  绣花大盗屡犯奇案,京城为之轰动。陆小凤被友所激追查此案,花满楼助之,二人终查出绣花大盗乃名捕金九龄,满楼与之打斗时檀香剑客杀出,刺死金九龄灭口。  西方圣教入侵中土武林,派卧底到中原各大门派,陆小凤、花满楼、西门吹雪察觉,并助各门派铲除奸细,三人更组织中原众高手一同深入楼兰。期间,小凤对薛冰的痴缠不胜其烦,却爱上风尘女子晶晶;满楼亦暗恋晶晶,但知其心仪小凤后黯然退出。晶晶本为圣教圣女,但她因恋小凤而不欲争教主之位。冰祖母薛夫人为救小凤而亡,使冰对凤心死。  中原另有一神秘隐形人组织与圣教暗中较劲,金九龄与檀香剑客均为其旗下杀手。隐形组织偷去圣教圣物罗剎令,使玉罗刹教主地位不保,并引起教中内斗。小凤等几经艰苦到神秘岛探查,得知隐形人组织首领为流云居士,其武功高深莫测,小凤与其契女牛肉汤施假婚之计才得以脱身。  某夜忽有女子潜入花家,被满楼察觉,女子自言名为慕容双,被歹人追杀,满楼相救。双深得花母好感,满楼也渐渐对双心生爱意。  吹雪妻子孙秀清被檀香剑客所伤,不治身亡。吹雪在小凤与檀香剑客打斗之时冲出,杀死檀香剑客报仇。岂料檀香剑客竟是满楼兄长花月楼,满楼悲痛欲绝。  冰离开花家独自飘摇,后偶遇流云,流云对冰悉心照顾,使冰感动,以身相许。  圣教长老日月二圣造反,欲废玉罗刹教主之位。晶晶为助玉罗刹平叛,勉为其难继任教主。小凤密探西方教坛,发现晶晶身份,大受打击,离晶晶而去,晶晶伤心不已,玉罗刹始道出她乃晶晶生母。  小凤等向中原武林公开流云的身份,流云约小凤公开决斗。小凤处下风之时,牛肉汤舍身相救,比武因而延期。西方圣教与隐形组织的争斗愈演愈厉,玉罗刹率众血洗珍宝岛;流云继而派人攻陷罗刹洞。玉罗刹约流云有所了结,原来二人曾有一段情,流云为晶晶生父。玉罗刹落毒欲同归于尽,岂料流云逃过大难,玉罗刹身死。  小凤与流云决战之期,全武林人士在旁观战。小凤施展绝技“凤舞九天”,将流云打落悬崖,流云经海底暗潜回珍宝岛。当夜雷雨交加,满楼与双双洞房花烛。暴风雨中海啸爆发,珍宝岛陆沉,流云、冰、牛肉汤均葬身大海。  小凤往楼兰寻晶晶,见其在神坛祈福,教众俯首,自知二人已无可能,返回中原继续其浪子生活。

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