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  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

红尘影院

心心相印
美国英语2012
  Moving to Portland, Oregon and finding work in food service is easy for Paul and Ramona. A struggling musician without bandmates, Paul becomes introverted and moody. Ramona's friend from college introduces her to a new social circle and she goes out while Paul stays home. When Ramona confronts turning thirty, it's time to grow beyond old routines and her relationship with Paul comes to a head.  Paul and Ramona, a young couple in need of a change, move to Portland, Oregon from their hometown of Boise. Upon arriving, they sublet an apartment and begin to familiarize themselves with the city. While finding work is easy (Ramona begins waitressing, while Paul gets a job at a coffee shop), change is difficult. Their life in this new city seems to be on repeat. When their car breaks down and a tandem bicycle becomes their primary means of transportation, Ramona refuses to ride.  A struggling musician, Paul, spends most of his time at home, steadily becoming introverted and moody, while Ramona, at the insistence of a co-worker, is thrust into a new social circle, where she begins an affair with a co-worker. Ramona and Paul’s relationship implodes after she confesses and in the ensuing conflict, she impulsively leaves to stay with a friend. Paul, desperate to work through the pain of the split, befriends a quirky barista named Ali. This friendship gives him a chance to begin to heal and inspires him to focus on expression through his music.

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