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TT3D:触摸极限
英国英语2011
  欧洲的低调纪录片《TT3D:触摸极限》讲述极速摩托车界的真实故事,以主观视角拍摄的亡命赛事--英国曼岛TT摩托车大赛,任何形式关于世界赛车运动影像的巅峰之作!观众观看时都要戴上专制的赛车头盔(配套3D眼镜),且至少看两遍以上,头一遍可感受亲自作为赛车手的彪速刺激,第二遍领略沿途的美丽风光。  曼岛赛是世界三大TT赛中唯一没有奖金的,也是历史最悠久与最危险的(平均一年死一人),绝对是勇敢者的游戏。同时又是机车赛最长的封闭赛道,也是风景最优美的。有许多个人身份与小品牌厂商参赛,偶而也会有老车游行。  人岛TT The Isle of Man TT  人岛位於英格兰和爱尔兰之间的小岛,人岛TT赛在每年6月份在这岛上举行。比赛的赛道是围绕岛外围的公路,全长60公里,弯位有200个以上,是全世界最长的赛道。赛道穿过市街地、山路等,十分多元化。由於比赛的时间十分长,参赛者的耐力和集中力相当重要。世界知名的人岛TT摩托车赛自1907年首届在人岛举办(比MOTOGP要早很多).  曼岛TT摩托车大赛可以称为世上最搏命的赛车比赛  曼岛的赛车历史可追朔到1904年的汽车比赛,当时是只有限制汽车才能参加的比赛,而在2轮世界中著名的曼岛TT则是在1907开始的,曼岛位於英格兰和爱尔兰之间的小岛,曼岛TT赛事每年都会在这岛上举行。比赛的赛道是围绕曼岛外围的公路,全长共60公里,弯道约有226个,是全世界最长的赛道。赛道穿过市街地、山路等,十分多元化,由於比赛的时间很长,赛道的挑战性更是赛车界属一属二的,因此参赛者的耐力和集中力相当重要。因为赛道的挑战难度很高,所以也发生了许多的伤亡意外事故,累计从1907年开跑到现在(2007年),共有224位车手不幸丧生,而这数据中还包括了一些因为利益关系被杀害的车手人数。不过由於整个赛事的可看性非常高,因此每年都吸引了世界各国的车迷来到这个小岛,观赏世界著名的曼岛TT(The Isle of Man TT)赛事。  曼岛TT的速度目前是由纽西兰车手Bruce Anstey骑著改装的GSX-R1000赛车,在进行Superbik级别赛事的时候所创下的206英哩 (331.5公里/小时),这项纪录是在Sulby Straight的一英哩长直线跑出来的.

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萨乐美
美国其它1923
  Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

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