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红尘影院

刀锋走险
美国英语1984
  莱利原本是伊利诺伊州的一个快活青年,和女友伊莎贝尔已经谈婚论嫁,身边还有从小一起长大的好友苏菲、鲍勃和格雷。苏菲和鲍勃也准备结婚,而格雷却爱着伊莎贝尔。  战争到来,莱利和其他小伙子一样也参了军,虽然只是到野战医院开车,但目睹了战争的惨烈后,莱利的思想发生了变化。返回家乡后,他一再推迟了和伊莎贝尔的婚事,而理由竟是要花时间思考人生的意义。在伊莎贝尔舅舅埃利奥特的安排下,莱利被安排到巴黎去散心。6个月之后,伊莎贝尔到巴黎寻找自己的未婚夫,却发现莱利住在一个糟糕的地方,虽然心情不错,但她知道他不再可能回到美国做股票经纪人,过富足的生活了。早已习惯了富裕生活的伊莎贝尔摘下了莱利给她的订婚戒指,返回美国后嫁给了一直追求她的格雷。  莱利在巴黎靠干出卖体力的工作为生,他阅读大量的书籍,并因偶然的激励,决定前往印度寻找生命的真理。在印度和尼泊尔的路途中,他的精神得到了进一步的提升。返回巴黎后,他先后遇到了因美国经济萧条而到巴黎避难的伊莎贝尔和格雷夫妇,以及因车祸痛失丈夫和儿子、以卖笑为生的苏菲。  苏菲和莱利的亲近导致了伊莎贝尔的嫉妒,她刺激苏菲再次回想起丈夫和儿子,酗酒之后,苏菲被人用剃刀割断了喉咙……  舅舅埃利奥特生命垂危,莱利用一个善意的谎言让他幸福地睡去。离开舅舅的大房子,他决定返回美国老家。

红尘影院

爸爸两边走粤语
香港粤语2004
  香港男人在深圳建立家庭,在香港工作,每天“冲关”,奔走中港两地,面对工作及生活,这是每一个香港人及内地同胞所热衷话题,【爸爸两边走】选择了这题材为主轴,剧情以温情伦理为主导,故事以写实手法描述香港及内地人对婚姻及感情的看法,回归之后香港及中国之间生活变迁为重点,以亲情及爱情为原素。并以崭新手法,以国内全实景拍摄作包装,给予观众清新写实的感觉。演员阵容鼎盛,包括:林韦辰、万绮雯、张文慈、袁文杰、江美仪、吴廷烨、楼南光、吕有慧、谢雪心、杜挺豪等,全情投演,反影社会实况。  任职男护事的曾耀乾,带着儿子曾诚到机场妻子接机,无意中发现了妻子方泗曼原来与上司杨永祥有奸情,耀乾曾经想挽救这段婚姻危机,无奈妻子将婚姻及事业挂了勾…结婚七年,妻子由一个护士晋升至行政经理,而耀乾还停留在男看护阶段,夫妻的距离由近而远,渐渐同床异梦。耀乾知道无法挽救这段婚姻,欲与妻子离婚,妻子感觉对家庭仍有责任,不肯离异,耀乾为了让妻子死心,带着儿子离去,回到深圳暂住。  耀乾一边在香港工作,一边要回到深圳照顾儿子,开始了爸爸两边走的生活,耀乾每天“冲关”时发觉,原来有很多香港人也是跟他一般的遭遇,每日奔走中港两地,面对工作及生活。当耀乾渐渐适应了中港两边走的生活后,开始在国内认识了不少朋友,其中一个是弱视的钢琴教师常萍,常萍虽然弱视,但人却坚强,对生命充满寄望,不但不需要人照顾,还能反过来照顾耀乾及曾诚…日久生情,耀乾与常萍渐成爱侣。  常萍有一个愿望,希望能参加全国音乐比赛,可惜身体残疾使她不能如愿,耀乾想尽法子帮助常萍治好了她的眼疾,使常萍可以如愿,在数万人面前表演钢琴,常萍喜极而泣…而耀乾也在帮助常萍的过程里,在失败婚姻阴影中爬起来,重新做人。当耀乾及常萍感情成熟,准备结婚之时,却遇到最大的考验…泗曼与永祥的感情告终,想吃回头草,就算不能得回耀乾的爱,也要得回儿子曾诚…最后耀乾面对情义的抉择,作出了一个肯定的抉择…继续爸爸两边走的生活。

红尘影院

检事和女先生
韩国韩语1948
  Synopsis  "Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.  Notes  "A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)  A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.  Afterword:  - Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.

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