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红尘影院

科学忍者队OVA
日本日语1994
  龙子之七十年代动画原作《科学忍者队》(台译《科学小飞侠》)的1994年重制的全3话OVA,梅津泰臣负责人设以及作画监督。  従来のイメージを残しつつ、メカ、キャラクターデザインを一新している。キャストも総裁X役の田中を除いて一新された。総裁Xの映像にはCGが使われている。  スタッフ  原作:吉田竜夫・タツノコプロ  企画:成嶋弘毅、鈴木敏充  エグゼクティブプロデューサー:吉田稔、九里一平  監督:福島宏之  脚本:ARTMIC  スーパーバイザー:斎藤博志  メカニックデザイン:山根公利、金子秀一  キャラクターデザイン・作画監督:梅津泰臣  美術監督:河野次郎  音楽:モーリス・ホワイト、ビル・メイヤーズ  演出:元永慶太郎、西山明樹彦  プロデューサー:吉田陸、大倉宏俊  制作協力:アートミック、アートランド  制作:タツノコプロ、日本コロムビア  声の出演  大鷲の健:小野坂昌也  コンドルのジョー:石井康嗣  白鳥のジュン:根谷美智子  燕(つばくろ)の甚平:松本梨香  みみずくの竜:立木文彦  南部考三郎博士:沢木郁也  レッド・インパルス:石塚運昇  アンダーソン長官:北川米彦  ベルク・カッツェ:塩沢兼人  女カッツェ:折笠愛  総裁X:田中信夫  主題歌  テーマ曲  「ガッチャマン'94」  作詞:竜の子プロ文芸部、作曲:小林亜星、編曲:つのごうじ、歌:水木一郎  テレビアニメ第1作のテーマ曲「ガッチャマンの歌」を、メロディや歌詞は原曲に忠実なままで、曲の調子をハードロック風にアレンジしたもの。  ラジオド

红尘影院

旋转门
加拿大法语1988
  Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.  This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.  From IMDb:  A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.

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