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红尘影院

血溅忠义门
香港国语2001
  香港洪兴会乃势力庞大的组织,因香港向来不容许非法的组织,特别九七回归后,该会早已转为地下活动,表面是贸易公司作门面来照料旗下各分会的兄弟。会长老霍平时不管时,早退隐江湖,一切会务由二当家葛鸣掌管,老三浩男为人忠义,甚得众兄弟尊敬,而老葛事无大小均由他处理,老四火鸡好勇斗狠,而且有野心,有心染指全权主管会务,不甘作葛鸣和浩男之牛后也。机会终于来临,老葛得了绝症,已病入膏肓,虽病情暂得控制,但已神志模糊,他担心群龙无首,... 香港洪兴会乃势力庞大的组织,因香港向来不容许非法的组织,特别九七回归后,该会早已转为地下活动,表面是贸易公司作门面来照料旗下各分会的兄弟。会长老霍平时不管时,早退隐江湖,一切会务由二当家葛鸣掌管,老三浩男为人忠义,甚得众兄弟尊敬,而老葛事无大小均由他处理,老四火鸡好勇斗狠,而且有野心,有心染指全权主管会务,不甘作葛鸣和浩男之牛后也。机会终于来临,老葛得了绝症,已病入膏肓,虽病情暂得控制,但已神志模糊,他担心群龙无首,所以向火鸡透露,将来大权会交给浩男,希望火鸡能全力协助,火鸡假意答允,但内心却起了反叛之心。浩男知葛大哥病了,正由深圳赶返港探望,火鸡悉心布局先杀了葛鸣而把罪名嫁祸给浩男,众兄弟均信以为真,均不原谅他,要将之置于死地,浩男和亲近的兄弟杀出重围,暂别香江而到了深圳。老霍宣布由火鸡担任会务接替已逝的老葛,火鸡吩咐兄弟往深圳追杀浩男。

红尘影院

难以置信的事实
美国英语1989
  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

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