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红尘影院

天使的幸福
大陆国语2017
  讲述了一个美丽乐观的单身妈妈李晓涵与一个优质医师安杰罗之间完美动人而又刻骨铭心的爱情故事。安杰罗(明道 饰)是一个出色的医生,却因家庭的变故以及未能救活同为医生身患绝症的女友而放弃人生。李晓涵(刘诗诗 饰)是白沙岛上坚强乐观的未婚妈妈,她天使一般的女儿一苹却因为杰罗女友的疏忽染上艾滋病,杰罗带着女友的遗愿来白沙岛寻找一苹,并与这对母女相遇。在海岛上经营旅舍的李晓涵是村庄里最美丽的姑娘,低微的家世与教育让她缺乏自信,但她依然乐观,期盼能拥有自己的幸福。忧郁倨傲的医师安杰罗出身显赫,有一个拥有开发集团的母亲,他奉母亲之命来岛上协助母亲进行改建工作,入住到了李晓涵的旅舍。安杰罗在收购土地时遭遇难题,所幸在李晓涵帮助下得以解决,这对性格天差地远的男女在工作过程中渐渐了解彼此,发展出了爱情。但安杰罗的母亲反对两人交往,要晓涵离开以换得开发案继续推展。为了全岛利益,晓涵决定从杰罗身边消失。安杰罗深受打击,寻回晓涵成为他唯一的目标。李晓涵亦无法放下这份爱恋,杰罗的寻找有了成效,却在重逢前一刻遭遇车祸,性命交关之际,晓涵回到杰罗身边把他从鬼门关前拉回。杰罗的母亲见证俩人坚定的爱情后不再阻扰。而李晓涵与安杰罗二人终于突破重重困难,最终走到了一起。

红尘影院

三个家伙
韩国韩语2008
 影片的故事发生在上世纪三十年代,世界大乱,位于亚洲东北部朝鲜半岛被帝国侵占之后,不少朝鲜人逃忙至接壤边境辽阔荒野。但要在这个只有马匹的贫瘠平原上求生,不少离乡别井的朝鲜人都被迫当上了土匪。  “怪家伙”大邱(宋康昊 饰)是个惯偷,一大群全副武装的军官身上抢得了一张藏宝图,而这张地图则关系着清王朝藏在满洲的一处宝藏。不过想夺得地图不止一人,冷血杀手“坏家伙”昌邑(李秉宪 饰)同样对宝藏虎视耽耽。两人凑巧就袭击日军火车时碰个正着,令大邱不但要摆脱日军也要应付昌邑和的手下。枪林弹雨间,一个人突然加入战圈,并以出神入化的枪法营救了大邱逃离现场。大邱拾回一命马上向救命恩人道谢,但有所不知这个名叫杜文的男子原来是以赏金谋生的捕快“好家伙”(郑宇成 饰),而大邱正是他跟踪已久的猎物。  三个家伙很快便发现,这张藏宝图不仅关系着自己的未来,更关系着朝鲜武装、中俄朝三国的山贼还有军队的命运。火车上的激烈枪战仅仅是个开始,更残酷的还在后面……

红尘影院

总路线
其它其它1929
  Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

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